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thursday, august 02, 2018 climate change denial is a toxic classical convention in a recent bbc news story anna harvey, head of vinyl at independent label silva screen records - not silver screen as in the the bbc story - explained that to reduce plastic waste her company is using paper bands instead of shrink wrap to hold the vinyl and its sleeve together, a concept that it hopes to extend to cd and dvd releases. the bbc story fails to note that anna is the daughter of the late and iconoclastic composer jonathan harvey. in a 2010 interview with me jonathan called on classical music to abandon its stuffy conventions . he was talking about specifics such as the big divide between amplified and non-amplified music . but it can be argued convincingly that a refusal to recognise classical music's environmental impact is another convention that urgently needs challenging. as a previous post here pointed out , the far east, and china in particular, is the new 'go to' destination for orchestras. the aviation industry depends entirely on fossil fuel and consumes a staggering 5 million barrels of oil every day; that is 2.5% of total carbon emissions. a plane flying from europe to the far east and back generates 4.5 tonnes of carbon , which compares with average per capita emissions globally of around 1 tonne. this summer the boston symphony orchestra will fly 6538 miles to perform mahler's third symphony at the bbc proms - the works third proms outing in five years. the orchestra's return journey will release greenhouse gases equaling around three tons of co2 into the environment. of course orchestras need to tour; however, with very few exceptions classical music refuses to recognise its environmental impact by, for example, introducing carbon offsets. the festival d'été de québec aims to be carbon neutral by offsetting all greenhouse gas emissions generated by the event. if a rock festival in canada can do this, why, for instance, cannot the bbc proms? a 2010 study by the university of surrey reported that the uk music industry's activities generate around 540,000 tonnes of greenhouse-gas emissions. audience travel accounts for 43% of those greenhouse-gases, live venue music events accounted for 23%, and music recording and publishing 26%. major culprits for greenhouse-gas emissions are cd manufacture and packaging, and doubtless digital evangelists will argue that this is another reason for ditching legacy media such as cd and vinyl. but this is not the case. music streaming performs no better: the energy appetite of the server farms that power music streaming and other online services is another environmental blind spot. technology applications account for around 7% of global energy consumption, with a greenpeace study identifying amazon web services and netflix as being particularly inefficient users. in 2014 us data centres consumed about 70 billion kilowatt-hours of electricity; this was 2% of the country's total energy consumption, and that consumption is increasing exponentially as more and more activities migrate to the 'cloud'. abandoning shrink wrap on vinyl releases is a small but significant step forward. classical music suffers from a severe case of tunnel vision. some iniquities, such as correcting gender imbalance , have quite rightly become cause célèbre . but others such the environmental impact of classical music are conveniently overlooked; because they challenge the profligate jet set culture of the art form. denying the environmental impact of classical music is a silly classical convention that should be much higher on the change agenda. header image is clear audio's skull concept turntable . new overgrown path posts are available via rss/email by entering your email address in the right-hand sidebar. any copyrighted material is included for critical analysis, and will be removed at the request of copyright owner(s). posted by pliable at thursday, august 02, 2018 no comments: links to this post email this blogthis! share to twitter share to facebook share to pinterest labels: amazon , anna harvey , bbc proms , boston symphony orchestra , festival d'été de québec , gustv mahler , jonathan harvey , netflix , silva screen records tuesday, july 31, 2018 summer music without that incontinent applause iconic is a grossly overused exaltation . but the twin cherry logo of ibiza's pacha superclub is genuinely iconic. and there is a connection between that icon of electronic trance and classical music. the logo was created by designer yvette montsalvatge; she is the daughter of composer xavier montsalvatge (1912-2002) who has been profiled here and was the inspiration for the composer's sonatine pour yvette . the connection is revealed in helen donlon's recently published and recommended exploration of the social and cultural history of ibiza and its nocturnal playgrounds shadows across the moon . in it helen donlon develops a theme that has recurred over the years , namely the power of music to transform consciousness . she namechecks, among others, la monte young , philip glass and hazrat inayat khan , and tell how: throughout history, losing yourself to music in order to achieve satisfaction at some higher level has been seen as an irresistible temptation ... in the heady centre of [ibiza] during the summer months, today's superstar dj is the more commercial manifestation of the trance shaman. his ancestors are high priests, masters of ceremony, bandleaders and orchestral conductors. later in the book richie hawtin , whose immersive enter . events at ibiza superclub space encourage audiences to lose themselves in the music - see video above *, explains that: ...you've also got a whole group of people who are just coming to experience this incredible concept they've heard about. we hope people will walk out of that experience and and dig a little bit deeper, and look for more challenging forms of music. surely encouraging audiences to dig a little bit deeper and look for more challenging forms of music should also be the objective of classical festivals such as the bbc proms. but instead the proms is stuck in a 'more of the same' loop , with the the most challenging element in 2018 being a reheating of the tired old debate about applause between movements. of course applauding between movements is a personal choice. just as ending my engagement with the 2018 proms season on the first night after the unctuous intro by georgia mann and petroc trelawny and the seapages of applause between venus and mercury was also a personal choice. some simplistic but revealing maths are appropriate here. radio 3's audience has remained broadly static at around 2 million over the last five years despite desperate attempts to win a new audience from classic fm. so let's assume that each year radio 3 has won 100,000 listeners from its deadly rival . that means that the gain of 500,000 new listeners has been offset by the loss of the same number of long-standing listeners . therefore if radio 3 changed its strategy to winning back lapsed listeners like me, it could increase its audience by 25%. but there is very little chance of the current race-to-the-bottom ending. what is much more likely is that next year's season highlight will be clemency burton-hill presenting clemmie's love island prom . so here is my summer playlist which is guaranteed 100% free of patronising presenters and incontinent applauders: ~ ' music for installations ' by brian eno ~ 'earth particles' by leszek możdżer & holland baroque - see video below * ~ ' invisible faces ' by tomáš liška ~ ' how we fall ' by j. peter schwalm ~ ' gypsy baroque ' by il suonar parlante orchestra and vittorio ghielmi ~ thomas adès 'asyla' , cbso conducted by simon rattle - this work is said to be influenced by contemporary electronic trance music *youtube videos do not appear on rss version of this post. overgrown path posts are available via rss/email by entering your email address in the sidebar. copyrig

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Domain Name: OVERGROWNPATH.COM
Registry Domain ID: 1341910960_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2017-10-08T15:20:06Z
Creation Date: 2007-11-26T18:08:54Z
Registry Expiry Date: 2019-11-26T18:08:54Z
Registrar: GoDaddy.com, LLC
Registrar IANA ID: 146
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Registrar Abuse Contact Phone: 480-624-2505
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Name Server: NS27.DOMAINCONTROL.COM
Name Server: NS28.DOMAINCONTROL.COM
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